{"id":1167,"date":"2015-08-22T19:21:18","date_gmt":"2015-08-22T19:21:18","guid":{"rendered":"http:\/\/grupos.unileon.es\/mebar\/?page_id=1167"},"modified":"2015-08-22T19:21:18","modified_gmt":"2015-08-22T19:21:18","slug":"reflexio-critica-literaria-aleman","status":"publish","type":"page","link":"https:\/\/grupos.unileon.es\/mebar\/reflexio-critica-literaria-aleman\/","title":{"rendered":"Reflexio. Cr\u00edtica literaria alem\u00e1n"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>SCHLEGEL<\/strong>, Friedrich. \u201cGespr\u00e4ch \u00fcber Poesie. 1800\u201d. <em>Kritische Schriften und Fragmente (1798-18011)<\/em>. Studienausgabe, \u00a0herausgegeben von Ernst Behler und Hans Eichner. Paderborn. M\u00fcnchen. Wien. Z\u00fcrich: Ferdinand Sch\u00f6ningh, Band 1, 1988. \u00a0186-222. Impreso.<\/p>\n<p style=\"padding-left: 30px; text-align: justify;\"><strong>S<span style=\"color: #999999;\">chlegel,<\/span><\/strong><span style=\"color: #999999;\"> Friedrich. \u201cDi\u00e1logo sobre poes\u00eda. 1800\u201d. \u00a0F. Schlegel. \u00a0<em>Poes\u00eda y filosof\u00eda<\/em>. Estudio preliminar y notas de Diego S\u00e1nchez Meca; versi\u00f3n espa\u00f1ola de Diego S\u00e1nchez Meca y Anabel R\u00e1bade Obrad\u00f3. Madrid: Alianza, 1994. 95-149. Impreso.<\/span><\/p>\n<p style=\"padding-left: 30px; text-align: justify;\">\n<p style=\"text-align: justify;\">[p. 199]<em> \u00a0Ludoviko<\/em>. Die innere Vorstellung kann nur durch die Darstellung nach au\u00dfen, sich selbst klarer und ganz lebendig werden.<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><span style=\"color: #999999;\">[p. 115]\u00a0Ludovico. La representaci\u00f3n (<em>Vorstellung<\/em>) interior s\u00f3lo por la representaci\u00f3n (<em>Darstellung<\/em>) exterior puede hacerse m\u00e1s clara a s\u00ed misma y enteramente viviente.<\/span><\/p>\n<p style=\"text-align: justify;\">[p. 199] \u00a0<em>Marcus.<\/em> Und Darstellung ist Sache der Kunst, man stelle sich wie man auch wolle.<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\"><span style=\"color: #999999;\">[p. 115]\u00a0Marcos. Y la representaci\u00f3n (<em>Darstellung<\/em>) es cosa del arte, si se quiere como si no se quiere.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SCHLEGEL, Friedrich. \u201cGespr\u00e4ch \u00fcber Poesie. 1800\u201d. Kritische Schriften und Fragmente (1798-18011). Studienausgabe, \u00a0herausgegeben von Ernst Behler und Hans Eichner. Paderborn. M\u00fcnchen. Wien. Z\u00fcrich: Ferdinand Sch\u00f6ningh, Band 1, 1988. \u00a0186-222. Impreso. Schlegel, Friedrich. \u201cDi\u00e1logo sobre poes\u00eda. 1800\u201d. \u00a0F. Schlegel. \u00a0Poes\u00eda y filosof\u00eda. Estudio preliminar y notas de Diego S\u00e1nchez Meca; versi\u00f3n espa\u00f1ola de Diego S\u00e1nchez Meca [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/pages\/1167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/comments?post=1167"}],"version-history":[{"count":1,"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/pages\/1167\/revisions"}],"predecessor-version":[{"id":1168,"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/pages\/1167\/revisions\/1168"}],"wp:attachment":[{"href":"https:\/\/grupos.unileon.es\/mebar\/wp-json\/wp\/v2\/media?parent=1167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}